Monday, August 23, 2010

Pole-Catting Around with Jim Chilson of The Ten Foot Polecats

Pole-Catting Around
Jim Chilson of The Ten Foot Polecats


Live at the Heavy Rebel Weekend


Being a musician, just like for the music fan, the festival season is an exciting time.   Not only do you get to see a lot of music under one tent, but it provides you the opportunity to play your music for larger audiences than you would normally get at a weekend club/bar show.   Blues festivals run rampant in the summertime not only here but across the country as well.  But there are also festivals across the country that are almost untapped to Blues based acts but they could very well fit into their musical lineups.  These festivals are hot rod/chopper shows and you can find them from New England to California in all different forms.  Basically these festivals offer a plethora of activities such as: vintage hot rods, custom vehicles, tattoo artists, pinup contests, strongman competitions, etc.  In turn these festivals  typically bring in anywhere from 300 to 600 (or more) people due to all the different activities.  However, the main theme is live music and  this past summer we got to play at three of these events:  Muddy Roots Festival in Cookeville TN, Heavy Rebel Weekender in Winston-Salem NC, and just recently we played Return to Milltown IV in Palmer MA, and have two more on tap for September.
I hate to use labels on music, but just for description sake, at all of these festivals there were an eclectic mix of music ranging from Rockabilly, Psychobilly, Outlaw Country, Bluegrass and Appalachian music mixed with Punk.  But you also had some influx of juke joint Blues in there as well.   The audiences were, let’s just say, alot less reserved than you see at a typical festival.  Some of the things you might see from this crowd at these festivals,  as we were witness to and victims of,  are getting empty beer cans thrown on the stage (which is a form of applause), getting beer sprayed on you while you are playing, sloppy yet inspired dancing in front of you and on you sometimes,…err..lots of drinking (obviously), and even a  mosh pit.  You don’t find many mosh pits to country, bluegrass, or blues music!
This might not be your cup of tea as some of you reading this might not like what you hear from the details, BUT there is something very exciting about an active audience that drives a musician.  From my impression, they don’t want to hear Stormy Monday and old blues standards but they want to hear what you have inside you and what you need to express.   Frankly, blues has always been a renegade music , especially in it’s early inceptions, and they are accepting of original hardcore renegade blues music as part of this scene as well.
Because of these festivals, we got to meet a lot of new musicians, friends, fans, promoters, and venue owners.  We also got to set up more shows with these promoters, venues and musicians across the country.  But most importantly, it brought our music to a new fan base that might have never heard us in the first place.  Just something to think about for 2011.
Jim Chilson
Ten Foot Polecats






Sunday, August 22, 2010

Daddy’s Beach Club - Hull MA

DADDY IS CALLIN’
By Karen Nugent

I remember going to Nantasket Beach - and of course its famous amusement park- as a child. It was a blast then, and it’s still a lot of fun.  But I’m talking grown-up fun, as in blues, cocktails, and to-die-for pizza.
While the amusement park is long gone, something almost as exciting has sprouted.
The Boston Blues Society recently formed a partnership with Daddy’s Beach Club, 280 Nantasket Ave. in Hull, right across from the beach.
The club, formerly the Dry Dock, re-opened in April, after owners Jeffrey Lemkin and Paul Papetti, the general manager, spent more than $750,000 on renovations and back taxes. 
The 135-seat club has a full bar – including a dozen or so  micro-brew beers- and has become well-known by foodie-types for its thin crust New Haven-style pizza. That comes with all kinds of great toppings such as artichokes, baby spinach, olives- you name it.
“There is never a cover charge,” Papetti said. “We know people are on a budget. They can come here for good food, great music, and a cold beer.  The pizza is the main stay. People say it’s the closest to Italy they’ have ever had.”
Daddy’s, which is open year-round, features mainly blues acts on Fridays, Saturdays and Sundays, with a 2-6 p.m. show each Sunday, along with a second evening show. Sometimes, there are rock bands in the mix, and in the summer, there is the occasional reggae band to add to the tropical beach ambiance.
Recent acts included Mission of Blues, Greg MacKenzie, and Erin Thornton and the Soul Drivers. Lois Greco, that rockin’ blues babe, is a regular, Papetti said. Guitar great Ricky King Russell is scheduled for September.
 “I love it there,” said BBS Secretary Carole Mellor. “You can sit by the big open windows and the sea air comes in. It is a very good size with the dining room to the left overlooking the ocean, and a very large bar area with tables to the right and stage in between. I feel like I'm on vacation when I am sitting there by the ocean enjoying the music and eating the awesome pizza.” 
“Also, it is kid friendly and early in the evening you can see little kids eating and dancing in their seats to the music,” she said.
Actually, there’s something for everyone each night of the week at Daddy’s. Mondays are open mic nights, and its karaoke time on Tuesdays. Wednesdays showcase country and cowboy music; Thursdays are DJ dance nights.
Papetti, a Mattapan native, has been in the music management business for more than 30 years, booking acts and managing clubs. He decided to re-open after nearly five years because of the great location.
“It’s always a beach party!” he said.

Smoken Joe's BBQ September Music Schedule


Smoken Joe’s BBQ, is dedicated to the promotion, education, and preservation of Southern culture through good down home cooking and lively entertainment. It is features nightly live music seven days a week. For more information call 617-254-5227 or visit the website at smokenjoesbbq.com






September Music Schedule




Wednesday 7:30pm SEPT 1 Alizon Lissance w/ Cheryl Arena
http://www.alizonmusic.com
http://www.myspace.com/cherylarena




Thursday at 8:30pm SEPT 2 Phil Pemberton Band featuring Ron Levy
http://www.myspace.com/philippembertonband


Friday at 9pm SEPT 3 Juke Joint 5
http://www.myspace.com/jukejoint5


Saturday at 9pm SEPT 4 Shirley Lewis
http://www.shirleylewis.biz/


Sunday at 7pm SEPT 5 Geoff Bartley w/ Special Guests
http://www.geoffbartley.com


Monday at 7pm SEPT 6 Bruce Marshall Open Mic
http://www.brucemarshall.net


Tuesday at 7:30pm SEPT 7 Soul Alley
http://www.soulalleymusic.com


Wednesday at 7:30pm SEPT 8 Alizon Lissance w/ Diane Blue
http://www.alizonmusic.com
http://www.dianebluemusic.com




Thursday at 8:30pm SEPT 9 Phil Pemberton Band featuring Ron Levy
http://www.myspace.com/philippembertonband


Friday at 9pm SEPT 10 Timo Arthur Band
http://www.myspace.com/timoarthur


Saturday at 9pm SEPT 11 TBA
Sunday at 7pm SEPT 12 Geoff Bartley w/ Special Guests
http://www.geoffbartley.com


Monday at 7pm SEPT 13 Bruce Marshall Open Mic
http://www.brucemarshall.net


Tuesday at 7:30pm SEPT 14 Soul Alley
http://www.soulalleymusic.com


Wednesday at 7:30pm SEPT 15 Alizon Lissance w/ Henri Smith
http://www.alizonmusic.com
http://www.myspace.com/henrismithjazz




Thursday at 8:30pm SEPT 16 Barrett Anderson, Ron Levy & Per Hanson Allstar Band!
http://www.barrettanderson.net
http://www.levtron.com/


Friday at 9pm SEPT 17 Erin Harpe & The Delta Swingers
http://www.erinharpe.com


Saturday at 9pm SEPT 18 David Maxwell's Maximum Blues
http://www.davidmaxwell.com


Sunday at 7pm SEPT 19 Geoff Bartley w/ Special Guests
http://www.geoffbartley.com


Monday at 7pm SEPT 20 Bruce Marshall Open Mic
http://www.brucemarshall.net


Tuesday at 7:30pm SEPT 21 Soul Alley
http://www.soulalleymusic.com


Wednesday at 7:30pm SEPT 22 Alizon Lissance w/ Ed Scheer
http://www.alizonmusic.com


Thursday at 8:30pm SEPT 23 Phil Pemberton Band featuring Ron Levy
http://www.myspace.com/philippembertonband




Friday at 9pm SEPT 24 Love Dogs host Blues Audience party
http://www.thelovedogs.com/


Saturday at 9pm SEPT 25 Prof Harp Band
http://www.professorharp.com


Sunday at 7pm SEPT 26 Geoff Bartley w/ Special Guests
http://www.geoffbartley.com


Monday at 7pm SEPT 27 Bruce Marshall Open Mic
http://www.brucemarshall.net


Tuesday at 7:30pm SEPT 28 Soul Alley
http://www.soulalleymusic.com


Wednesday at 7:30pm SEPT 29 Alizon's Monthly Jam
http://www.alizonmusic.com


Thursday at 8:30pm SEPT 30 Phil Pemberton Band featuring Ron Levy
http://www.myspace.com/philippembertonband

Thursday, August 19, 2010

AJ Wachtel interviews Livingston Taylor as submitted to “The Noise”


AJ Wachtel interviews Livingston Taylor as submitted to “The Noise”


A member of Massachusetts First Family of Music, Livingston has just released a new cd, "Last Alaska Moon", and its wonderful folk-inspired melodies may be the best music release of the year.


And currently on tour performing his catalog on the left coast, he was cool enough to call me from an airport between flights and then again the next day during some rare down time to make sure we were able to talk. Read on and hear what this master musician has to say:


The Noise: You're a great storyteller and in your new songs you specifically mention people by their names-Little Jimmy T, Katy, Erin, Stan, Henry Crossenfeld, Abigail, Grace and Gwynnie. Are these real people and are the songs telling about actual events in your life or are they fictional and mentioned for other reasons?


Livingston: They are generally fictional. Gwynnie, I just used cause I liked the name Gwynnie. Gwyneth Paltrow's name is Gwynnie, but the song has nothing to do with her, I just really like the name. I DO know Katy and Stan, and Erin is a young woman who I met when I was writing the song and I found her a very nice person and I just used the name Erin. And there's Erin Burnett from CNBC. I like the name.


The Noise: Many of the song titles on Last Alaska Moon seem to have spiritual meanings-"Never Lose Hope", "Answer My Prayer", "Walk until Its Heaven" and "Christmas Is Almost Here". What is your message to the listener and why is this feeling important for you to share?


Livingston: It's really not a message. It's things that interest me. I don’t have a sense I have a message for my listener. Hopefully, it’s interesting for other people to listen to. Hope is a good thing. Walk until its heaven; I love that image. To keep it going till you get it right. Until it does get right. The idea of "moving forward" and "moving ahead" is very compelling to me.


The Noise: The tunes on your new CD range from folk with an easy, acoustic sound to folk ballads and country & western, bluegrass and blues with a southern feel. Can you comment on this?


Livingston: The fact is I'm enamored with good melodies. I’m a very melodic guy and I’ve loved them since I was a little boy. In my most successful melodies I write the melodies first then find a story to put to that melody.


The Noise: What musicians do you listen to these days?


Livingston: Well, I find that generally, like the rest of the world, I pick and chose a song here and there. Anita Baker, Mamas and the Papas with Cass Elliot, Karen Carpenter, Frank Sinatra, it's all very eclectic and all over the board.


The Noise: You and your sister Kate both have new releases in 2010. Is this a coincidence or part of a bigger Taylor music conspiracy?


Livingston: (Laughs) I wish in this case it was the result of a vast conspiracy but it’s just a coincidence.
The Noise: The Taylor family has great songs about your childhood state, North Carolina. James with "Carolina (In My Mind), Kate with "Sun Did Shine In Carolina" and your new "Call Me Carolina". What is the story behind this? And what's the difference between music scenes down south and those up in New England?


Livingston: It's the word Carolina. Certain states have a very sayable word, like Carolina. NY-less so. NJ-it’s just-it’s a tough sell. Minnesota-it doesn’t work so well. And more important is the "Carolina experience". Down there, the idea of creative arts as a career choice is very acceptable. Nothing is better than being in an infrastructure where your music can be heard.


The Noise: Kate told me her song" (Sun Did Shine) in Carolina" is "about my brothers and our time in Chapel Hill, NC". What do you think of her recollections?


Livingston: Well, I think her recollections are lovely. Kate is a wonderful songwriter and a beautiful spirit. I treasure her recollections, I have different ones.


The Noise: Any advice to give to young artists trying to get their music heard?


Livingston: Yeah, above all else you must play live. You must bring your music to the people. You must watch it land. You have to watch what effect it has on your audience.


The Noise: What did you find most challenging in recording and releasing "Last Alaska Moon"?


Livingston: Again, the great challenge is finding the financial resources to hire the best players on the planet.


The Noise: In "Never Lose Hope" you sing "even Boston lost the curse". Is this a reference to the "curse of the Babe" and the Red Sox?


Livingston: Yes it is. It was a cheap little line that just fell in there at the time.


The Noise: Tell me about the musicians and the production behind your new cd.


Livingston: I used a great recording studio, Paragon, in Franklin, Tenn. I had great players and a GREAT mixer.


The Noise: Why Last Alaska Moon? Why not Last Vineyard Haven Moon?


1. Livingston: It just really alliterated great and I really liked the image of Last Alaska Moon.


The Noise: When I went to your brother A.T's wake you, James Hughie and Kate sang "Will the Circle Be Unbroken" together. Do you ever sing together anymore?


Livingston: We don’t get together terribly often. It's light and informal if we do. We've spoken about going on tour together but that's really in James' hands. And it’s not something he's waiting to do other than single shows.


The Noise: There's another generation of Taylor family performers. Do you ever get together with them and sing?


Livingston: Absolutely! My niece Sally and my nephew Ben. I love to play with those guys, they're great music forces, and it’s FUN!


The Noise: What's in the future for you? Are you very prolific these days? Are you writing songs for your next CD yet?


Livingston: I'm writing all the time. The great problem isn’t writing its getting the financing to get these projects to life. Right now Shelly Berg, head of the music dept. at the University of Miami and I are thinking of doing a project together. And I have plenty of things in the works like that.


The Noise: How are people on the left coast enjoying your shows?


Livingston: Yeah, again, when I come out West people who haven’t had a chance to see me in a while come to the shows. It's beautiful and much appreciated.

Wednesday, August 18, 2010

Diane Blue w/ Jimmy "Two Suits” Capone and The Chan Clan



Diane Blue w/ Jimmy "Two Suits” Capone and The Chan Clan
Live at Chan’s
Review by Georgetown Fats


Live disks from a mostly cover band can be a very dicey proposition.  Usually the cover material chosen has been so overdone that the covers never stand up to the originals, which probably also have live renditions by either the songwriter or the artist that made the songs famous.  Very few live cover recordings and cover acts can challenge the originals.  Thankfully Diane Blue w/ Jimmy "Two Suits" Capone and The Chan Clan happen to have the chops which help make their “Live at Chan’s” recording such a welcome aural relief.


“Live at Chan’s” is not entirely a cover CD.  Ms. Blue and company do provide some stirring renditions of four of Ms. Blue’s original works. They are all good, solid offerings.  It is when the recording heads deep into ‘pop blues/wedding band act’ that “Live at Chan’s” shines.


“At Last”, the track made famous my Etta James, has taken on a “Stormy Monday” for female vocalists.  Having even witnessed Etta James extoll venom on the commercialization of the tune and how the majority of listeners miss the point of the track, I was extremely skeptical Ms. Blue could pull off a rendition anywhere as close to the original. For the second track on the disk, it was a very bold choice.  Luckily Diane has the power and chops to stand up to the challenge.  Bolstered by the work of the Chan Clan Horns, Jimmy “Two Suits” Capone, Bruce “The Goose” McGrath and Johnny “Blue Horn” Moriconi sticks close to the original arrangement which allow Diane to give a maximum effort performance.


On the Bill Withers classic “Use Me”, guitarist Timo Arthur locks in with bassist Lenny Bradford and Hammond B3 player Cliff Spencer on that signature hook.  Ms. Blue shows plenty of finesse by singing just a hair behind the beat, creating an irresistibly carnal dance groove.  When Timo Arthur takes the requisite guitar solo he does nothing to distract from the groove, there is just enough wah-wah to keep that that lustful groove but not enough to completely muddy up his tone.


Probably my personal favorite track on “Live at Chan’s” is Diane Blue w/ Jimmy "Two Suits" Capone and The Chan Clan is the rendition of “Fever”.  Sticking close to the Peggy Lee arrangement embrace the pop standard. Jeff “Jungle Boy” Thompson’s drum work keep the sparse instrumentation moving forward and locked in on this slow burner.  “Jungle Boy” proves to have the finesse to keep this jazzy rendition going while giving just enough power in the drum fills as to offer a spike in the dynamics without getting in the way of the tune.


“I’ll Take You There” also sticks close to the Staples Sisters recording, highlighted by Johnny “Blue Horn’s” stirring trumpet solo.  In addition to the trumpet work, Diane Blue proves to not just be a vocalist with a rocking yet understated harp solo.  Not content to just shred notes at a dizzying speed, Blue’s harmonica work offer justification to the adage of “it’s not just about the notes you play, but it’s about the spaces between the notes"...


Diane Blue w/ Jimmy "Two Suits” Capone and The Chan Clan “Live at Chan’s” is available through Ms. Blue’s web site http://www.dianebluemusic.com/ or available at any of her live gigs such as their CD release party at Ryles on August 28th, 2010.

Tuesday, August 17, 2010

WACHTELIGENCE - Johnny A. A is for Awesome!

WACHTELIGENCE
                                         By A.J.Wachtel
Johnny A.


A is for Awesome






Walls shake when Johnny A plays. For years in bands like The Streets, Hidden Secret, and Hearts On Fire, his extraordinary guitar playing set standards that left audiences shaking their heads in disbelief and nightclubs demolished by his performances. He also was chosen to put a band together for Derek and the Dominoes keyboardist Bob Whitlock, the man who co-wrote, with Eric Clapton, all the songs on Layla Read on and listen to Johnny look back and also hear what he is doing currently.


AJ: In the mid 80's, you played in a band fronted by the keyboardist for Derek And The Dominos, Bob Whitlock , and you played some gigs in a few states. How did that happen and who else was in the band?


JA: Our association started in 1978. I went down to stay at The Record Plant in Los Angeles to do some work and I met Whitlock and also Doug Clifford the drummer for Creedence Clearwater and we jammed and traded phone numbers and then I got a call that they wanted me to start a band with them. We started to do rehearsals and then I opted out because the band didn’t seem to have a direction. I was still in The Streets so I came back to Boston. And Bobby and I kept in touch. Then my friend Peter Lembo started handling him and I was called to be the music director and get a band together for him for a string of New England and east coast dates. Stu Kimball (now playing with Bob Dylan) was on guitar, Dave Amaral on bass, and Steve Barrett on drums along with Bobby on keyboards.


AJ: Looking back 25 years after your band Hearts On Fire lost the 1986 WBCN RUMBLE to punk pioneers Gang Green what's your take on your loss in the finals? Did you get robbed?


JA: I wouldn't exactly call them "pioneers" of punk. The punk movement was pretty well in full swing by the time they got there. Having said that, I thought they probably did a better job of what they did then we did. No, I didn’t think the talent was better. I’ve heard recordings of that night and I didn’t think it was my most stellar moment either. Carter Alan called me before the Rumble and asked me to put the "Hearts on Fire" band back together for the contest, and for a band put together for the rumble-in terms of substance of material, songwriting and melodies- I think we were the better band. I think they had a better delivery that night. On a personal note, they were totally unprofessional backstage.


AJ: Your guitar blues phrasing is legendary. Who were your idols growing up?


JA: I listened to James Burton, Chet Atkins, Les Paul, Eric Clapton, Jeff Beck, Jimi Hendrix, Wes Montgomery, Pat Martino.


AJ: What's the greatest Blues show you've ever seen in Boston?


JA: Probably 1969 The Caldwell-Winfield band with Billy Caldwell at The Psychedelic Supermarket. It was one of those nights. It reminded me of The Butterfield Blues Band and the like. A great night.


AJ: What famous artists have you opened for or shared the stage with over the years?


JA: Jeff Beck, B.B. King, Robert Cray, Jimmy Vaughn, Buddy Guy, I played the Eric Clapton Crossroads Festival, Joe Satriani, Eric Johnson. George Thorogood.


AJ: What are you doing now?


JA: For the past 11 years I've had guitar instrumental project. I have three albums out and an instructional CD/DVD out. Currently, I have a 2 disc set-CD/DVD out called "One November Night" which was recorded live at Scullers.


AJ: You and Stu Kimball had all the Duane and Eric licks down pat when you played the Layla songs. What were practices like?


JA: We didn’t have a lot of rehearsals, maybe a week or so. Everyone did their homework and came to the gig prepared. Me and Stu were friends and we talked on the phone: "you take that part" or "I'll do that solo". It was pretty well divided up what our roles were before we got to the first rehearsal too.


AJ: What was your favorite Layla song to play and why?


JA: The "(Layla) Assorted Love Songs" album was important to me growing up and we played all of it." Tell The Truth"," Anyday" "Why Does Love Got To Be So Sad"........Playing the slide solo at the end of "Layla", a pretty epic song.


AJ: Whitlock seemed like a hard drinking Mississippian with a young blonde permanently attached to his arm. What was he really like and do you still keep in touch with him?


JA: He was like what he appeared to be. Yeah, we communicate a couple of times a year. Last time I saw him he came to a show of mine in Austin, Texas where he is living now. That was last year.


AJ: Will you ever play together again?


JA: You never know.


AJ: Any advice to young musicians trying to get their music heard?


JA: Go to school and become a lawyer. (laughs)


AJ: What did it feel like being onstage playing classic tunes with the co-author of them?


JA: It was a thrill. One thing about Bobby-he's an absolute raw talent. When he plays his B-3 or when he's singing he never mailed it in. It’s the real deal. Anytime you play with an artist who leaves blood on the stage it’s ALWAYS a special experience.


*******Check out www.johnnya.com for more information about Johnny A.

Sunday, August 15, 2010

Pipin Hot and Ready to Serve!!! Biscuit Miller and the MIX from Chicago at Smoken Joe's in Brighton, August 19 at 8:30pm

Pipin Hot and Ready to Serve!!! Biscuit Miller and the MIX from Chicago at Smoken Joe's in Brighton, August 19 at 8:30pm
Biscuit Miller, one of the funkiest bass players around, is on the loose again and fronting his own band “Biscuit Miller and The Mix.” Joined by Jordan Lunardini, Paxton Norris and Myron “Mad Hatter” Robinson, these guys really know how to “get down!” Biscuit is well known for playing behind Chicago’s legendary Lonnie Brooks and most recently with The Anthony Gomes Band. High energy, charismatic band with lots of show. What’s better than a bowlful of soulful, funky Blues stew? A pipin’ hot Biscuit, of course! In honor of the occasion, Smoken Joe’s will be servin’up homemade biscuit and gravy!!! Get’ m while they are HOT.
Dave “BISCUIT” Miller plays an amazing bass guitar filled with “Classic Blues andFunk”. Not only is he a great bassist but he’s also an “extremely soulful vocalist!” Early in his career, Biscuit was introduced to SONNY ROGERS who taught him a lot about playing the blues. Together, they recorded “THEY CALL ME THE CAT DADDY”,which won a HANDY AWARD FOR BEST NEW ARTIST for Rogers. After the passing of Rogers Biscuit went on to play with other respected artists such as, MOJO BUFORD (formerly with Muddy Waters) and LADY BLUE (backup vocalist for Ike and Tina Turner). Biscuit was the permanent bass player for LONNIE BAKER BROOKS for ten years during which time they played at the inauguration for PRESIDENT CLINTON. He also spent nearly five years with the ANTHONY GOMES BAND during which time they released five CD”S, Unity, Sweet String and Soul, Long Way Home, Music in the Medicine and Live at the Triple Door. Biscuit co-wrote “TESTIFY” from the album “LIVE” which reached Billboard’s number one album on the Blues Charts. Biscuit has since made they decision to revisit an “old recipe from the past to stir up a brand new flavorful mix of funk, blues and old style rock-n-roll soul”, BISCUIT MILLER AND THE MIX! 
Bringing life to “The Mix” with his “charasmatic charm and style” is MYRON “DOCTOR LOVE” ROBINSON. Myron played with MAGNUM FORCE and signed with CHII-TOWN RECORDS, at which time they recorded the soul hits “Share My Love”, “Cool Out”, and “Touch of Funk”. He later joined STAN SKIBBY and played several years with STAN SKIBBY AND THE LOVE SOLDIERS. Myron has toured with JAMES ARMSTRONG and played with KOKO TAYLOR, PHIL GUY, ATLANTIC STARR and THE CHILITES.
Reservations Recommended
LOCATION: 
Smoken’ Joe’s Barbeque
351 Washington Street
Brighton, MA 02135
PHONE: 617-254-5227
Visa, MC, Amex accepted
Handicap accessible, Parking free after 6pm
WEBSITE:www.smokenjoesbbq.com
http://www.youtube.com/watch?v=xTJzSTx1Gs0 
-North Atlantic Blues Festival in Rockland Maine. July 2010 Sending a shout out to the Godfather of Soul, James Brown 
http://www.youtube.com/watch?v=oZZpH34R-yY -
North Atlantic Blues Festival in Rockland Maine July 2010 Stay In The House Blues